Performance, the founded objects, photo, video
The project idea took its beginning at the Polytopia online residency and continued developing at the "Co.iki" art residency in Tokyo, Japan. The project itself was created on the hidden coast of Miyazaki city, Japan.
Through the properties of the environment, which I consider as a transitional zone on the border of two different landscapes - water and the land, as well as through the objects that migrated from the ocean after the typhoon, I explore the state of non-identity which refers to the consequences of migration, the memory of my body (from childhood, forgotten or no longer used), questioning the relationship between the human body and other-than-human beings.
Since I am using my own body as a medium imaginary separated from my human self, it becomes a tool that allows me to pass through situational properties of the environment, being a neutral witness.
During the movement performances I am interacting with the lost or discarded objects. These objects are the metaphor of the forgotten memory and a reminder that things can not be irretrievably lost or discarded. Possibly I give them a new function by the interaction.
Also I try to find and to explore the forgotten or no longer used memory of my body discovering the corporeal movement patterns, which are presented in the form of the exercises.
Some videos of the performances have a changed timeline structure and don’t have a beginning and an end.
